Alma Dei creatoris is a sacred motet that serves as an offertory to the Virgin Mary, possibly written around 1777.
Horn Concerto No 4 (K 495) is a cheerful, virtuosic work from 1786 for his friend, horn player Joseph Leutgeb, famed for its playful dialogue and hunting themes.
Veni, Sancte Spiritus (Come, Holy Spirit) is a medieval Latin hymn and prayer.
The Sinfonia Concertante for strings is a rich and complex piece featuring solo violin and viola that emerged from his quest for artistic freedom in 1779.

VW’s Symphony No 5 is a serene and contemplative work, often called the "Celestial City," completed in 1943 during World War II, which offers a pastoral and mysterious sound world that contrasts with the previous Fourth Symphony.
Walton's Crown Imperial, a grand orchestral march from the 1937 coronation of King George VI, is a staple of British state occasions.
Elgar’s Cello Concerto is a deeply personal and elegiac work written after World War I, in contrast with his earlier, more bombastic style.

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Lili Boulanger's D'un matin de printemps is a brief, nuanced piece combining joyful high spirits with poignant introspection.
Rejecting the flashy, empty virtuosity popular at the time, Schumann envisioned a new type of piano concerto - one where the piano and orchestra engage in a passionate, equal dialogue.
Composed in just five weeks in late 1850, Robert Schumann’s Symphony No. 3 "Rhenish" is a joyous, five-movement masterpiece inspired by his move to Düsseldorf and a trip to the Rhineland.