NEW TICKETS RELEASED FOR 8pm PERFORMANCE
Composed in memory of the Fauré's father and performed at the composer's own funeral, Fauré’s gorgeous Requiem speaks of a better world beyond this one. Its uplifting melodies and serene character will be performed alongside Brahms' beautiful, ethereal Songs for Female Voices, Horns and Harp.
Reflecting some of the key questions of our time, including the environment and social equality, this multisensory performance will present live OSJ’s newest commissions for string orchestra and film, Many Worlds in One Place, Earth Flow and Reaching Water. Alongside will sit gorgeous music by some of the silver screen's finest composers including Shostakovich and John Williams, as well as Arvo Pärt’s Spiegel im Spiegel, accompanied by film and live artwork created in response to the music.
Robert and Caroline Jackson host a fundraising evening of music and dinner.
'Dr Burney's musical tour of Germany'
Music by J S Bach, C P E Bach, Handel, Mozart and Frederick the Great
A soaring solo violin, a gentle harp, the warmth of a string orchestra… Schoenberg’s atmospheric Notturno for Strings and Harp, composed when he was just 17, is an underperformed delight. Join us to discover this gorgeous work alongside beautiful pieces by Wolf Ferrari, Debussy and Suk, performed with the wonderful Keziah Thomas.
A soaring solo violin, a gentle harp, the warmth of a string orchestra… Schoenberg’s atmospheric Notturno for Strings and Harp, composed when he was just 17, is an underperformed delight. Join us to discover this gorgeous work alongside beautiful pieces by Wolf Ferrari, Debussy and Suk, performed with the wonderful Keziah Thomas.
“He brings the songs to life with warmth and wit.“ — The Times
If you’re a lover of song you’re in for a real treat this October. Join Julien van Mellaerts and Orchestra of St John’s for the world premiere of Schumann’s transfixing Dichterliebe, newly orchestrated by conductor John Lubbock, and enjoy gems from the choral repertoire by Bruckner, Stanford and Liszt, performed by the OSJ Oxford Voices